Nam-Khar is a Ritual/Drone collective that utilises various ethnic instruments and synthesised material within its works. What Nam-Khar offers up here are nine very different pieces of ritualistic music, each with the common thread of bringing you to a place of both focus and isolation. The subtle use of traditional instrumentation creates small vacuous pockets for the listener to move into, which are then juxta-positioned with slightly harsher, more industrial sounds. These are then all neatly sewn together with ice cold drones, warm bass sounds and synth sweeps. #Electronic #Ambient #Drone

The release of Music for Nitrous Oxide, the 1995 debut album by Stars of the Lid, heralded a new strain of the american underground music scene, one borne of the heat and humidity, boredom, and the insular, constipated, rockist music scene of Austin, Texas, the home of the duo of Brian McBride and Adam Wiltzie. It was a muffled lashing out against surrounding musical conventions, a small middle finger to the local dominant “americana” scene, but one that nobody could see outside the shack of a house in which they recorded or at their occasional sparsely populated live performances. It was as punk a move as anyone could make at that place and in that time. But in a surprise to the two members of SotL, people took notice, as related rumblings and grumblings were taking place simultaneously in other parts of the american landscape. Coming quickly on the heels of that release was our current subject, Gravitational Pull vs. the Desire for an Aquatic Life, released one year later. This is a transitional release that travels from the scruffiness of the debut’s ambiance to more extended and subtle undulating tides of assembled sound, yet still dominated by processed guitars as the primary sound source. It also serves as an omen to the mini-orchestral works to come beginning with the Avec Laudenum album a few years later. Gravitational Pull... is a small masterpiece. #Electronic #Ambient #ModernClassical

Due for release on the 16th March on CD and 180gm Vinyl. "The Longest Sleep Through The Darkest Days" is the sophomore album from Plymouth shoegaze post-pop electronic project Winterlight. The project was originally a solo endeavor started by Tim Ingham back in the mid-oughts but now sees his daughter Isabel taking on bass guitar duties. #Electronic #Shoegaze #Ambient

TERRA - Music for Mother Earth is the long-awaited new release from Kevin Kendle - the first major solo album since 2014. Inspired by the beautiful planet on which we live, the music on Terra seeks to depict aspects of both the physical and metaphysical beauty of our wonderful Mother Earth. The album also encourages the listener to see Her as a living, breathing entity, and to revere Her as such. #Electronic #Space #Ambient